![]() ![]() ![]() We welcome any feedback you have about our products or the way we do business. We design, manufacture, and ship most of our products locally from our facility in American Fork, Utah. Our prices range from small prints that sell for less than a dollar up to large breathtaking masterpieces that sell for thousands of dollars and everything in between.Īltus Fine Art is a small company of individuals dedicated to making a difference in the world. Our mission is to take this wonderful artwork and create affordable products for the average family or individual while still using quality materials and design. For the last 20 years, we at Altus Fine Art have been blessed to work with many artists who have bravely dedicated their talents to create artwork that lifts our hearts and souls and inspires us to live Christ-centered lives. Heather also teaches therapeutic art and meditation while running her art studio and shop in Blackfoot, Idaho.Īs individuals, we are all drawn, as Paul said, to seek after that which is pure, lovely, of good report, or praiseworthy. Through her writing and art, She has dedicated her life to helping others find their own healing. She knows from personal experience the power they have to heal even the most extensive heartaches. She is passionate about having a personal relationship with God and her Savior. Heather is a wife, mother, self-taught artist, and author. 900-1900: Survivals and Revivals (Edinburgh University Press).Painting of a close up of Jesus's face. ![]() Heather is also co-editing a book with Rachel Moss, Trinity College Dublin, Irish and Scottish Art, c. A recent article 'Between the Embodied Eye and Living World: Clonmacnoise’s Cross of the Scriptures' ( Art Bulletin 2020) is a case study from this project.Īfter three years as Head of History of Art, Heather has a Paul Mellon Senior Fellowship to complete her book project, Art and the Living Frame in Early Medieval Britain and Ireland (Cambridge University Press). The study also analysed how the depth of carving, physical landscape and the gestures and glances of the sculpted figures dictate the viewer’s response. Drawing from phenomenology and the ecological turn, the project investigated how changing viewpoints, scale, light, weather and distances shape and animate these monuments. She was awarded a Leverhulme-funded research fellowship, From 2D to 4D: Ireland’s Medieval Crosses in Time, Motion and the Environment in 2017. Heather was part of the curatorial team for The Celts exhibition at the British Museum and later at the National Museum of Scotland in 2015. Other publications focus on the role of colour and number in the ornamentation of the Lindisfarne Gospels’ Canon Tables and the carpet pages of the Book of Durrow. Specialising in early medieval art, particularly of Britain and Ireland, Heather’s research questions how the visual and material nature of an object shape the viewer's experience, focusing on understudied or neglected aspects of the artwork and its context: Her publication ‘The Performative Cross’ considers the interaction of rainfall on the Ruthwell Cross and Pictish sculpture her monograph, Word and Image in the Book of Kells, explores how marginal creatures direct the reader's gaze, and ‘Art and Avatar: Identity and Gesture in a Virtual World' analyses the intimate relationship engendered by the shape and scale of the Lewis chessmen. Edinburgh School of Architecture and Landscape Architecture (ESALA).Architecture and Landscape Architecture. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |